Art Squared in Arbus Magazine

Today the Nov/Dec issue of Arbus Magazine was released with a six page spread of my photographs from the Imagination Squared exhibit. I'm a little bit blown away. It seems like such a long time ago when we were all consumed with this incredible collaborative art project. When all your creative energies are focused with like-minded people, things just happen. Wow, sorta like running a marathon for the first time, and then you ask, "what's next?" I have some loose ends to tie up on the project and my goal is to write a short book documenting the process and key events. I don't want the genius of what happened to be lost. We are a society hungry for the next big thing, and the past big things can easily vanish. The inspiration of Imagination Squared for other cities and artist groups needs preservation and dissemination. I hope to be a part of that too.

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I would like to thank Cinda Sherman the publisher and CEO of Arbus Magazine. She approached me soon after the exhibit with the idea of a photo essay of my best images and just left it at that.  Cinda is a visionary who "gets it" for the city and the arts community. From her tireless efforts comes a remarkable, high quality publication that supports and promotes the arts in our city. Arbus is distributed for free and paid through advertisers, a tough business model to negotiate. Bravo to Cinda and all the advertisers in Arbus.

You can experience the photographs in the Arbus spread at an exhibition in the Southlight Gallery on Forsyth and Laura. I'll be ready with everything on November 3 the night of Art Walk. Drop by to see these and some other memorable moments, and then head on down to MOCA to view the exhibit which comes down on November 14. Hope to see you soon!

The hi-res version of the article can be viewed at the Arbus website here.

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Imagination Squared! Poster, Prints, and Photos

Sorry, the links in this post no longer work. Please contact the studio for information about prints and posters.

MOCA group shot

MOCA group shot

Information about the group photo download and for purchasing the exhibition poster and prints is provided on a sheet in your artist goodie bag that you received at the opening. In case you lost it or did not pick up your goodies yet, here is a downloadable copy: IS Poster and Print Info The group photo can be downloaded here. I also included some other shots that may be of interest. You can download off the site and the file should have sufficient resolution to produce a 5x7 print. If you need anything bigger let me know.

12x36 Imagination Squared poster

12x36 Imagination Squared poster

The 12x36 poster pictured above contains 900 squares. I'm really sorry if your square was not included but we got everyone who turned theirs in on time :). If you really, really want a poster with your square, I'll do a custom one for you...just email me and I'll see what I can do.

Imagination Squared Poster 1

Imagination Squared Poster 1

Imagination Squared Poster 3

Imagination Squared Poster 3

Imagination Squared Poster 2

Imagination Squared Poster 2

Imagination Squared Poster 4

Imagination Squared Poster 4

Each of the 4 - 24x24 prints contains 225 squares. These are printed on Enhanced Matte paper on my Epson 9900 and show the detail of each square. If you want to know which of the four posters contains your square, look on the back of your nametag for the number, or email me with your name and I will let you know. These are fine art prints and are produced to archival standards, so they will last years. We've also arranged to have posters and prints matted and framed by R. Roberts Gallery in Avondale for an extraordinary price. Details can be found on the downloadable info sheet mentioned above.

What if you gave a party and 4000 people showed up?

Last night Imagination Squared! was unveiled to a crowd of almost 4000 at the Museum of Contemporary Art (MOCA) in Jacksonville. A culmination of 6 months work, and the participation of 910 artists (and would-be artists) from all around Jacksonville. It is perhaps the most significant cultural event to date in Jacksonville and demonstrates the creativity of two artists, the support of a core group of volunteers, and the response of a city hungry for the joy that art can provide. I am quite speechless about the turnout, and the overwhelming accolades from everyone who attended. I'm proud to say that I found myself in the middle of things towards the end of the project, when things started getting interesting. I guess the engineer in me just wanted a challenge. Congratulations to Dolf, Christina, and all the artists in Jacksonville for a job well done. And thanks to all who support the arts in Jacksonville. More details and stories to follow...

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MOCA LAB Gallery Opening

MOCA Jacksonville promotion Doug Eng

MOCA Jacksonville exteriorOn Thursday, August 5th I am having an opening at the Museum of Contemporary Art Jacksonville (affectionately known here as MOCA). Well, sorta. I'm not actually in the museum, but in their museum store called the LAB Gallery. This is an area reserved for "emerging" local artists who need to get exposure to the public. Hey, that's me! It's a great idea. There is an application process and your work is displayed on easels in the store for a month. For more information on the program visit the MOCA website.

LAB-Gallery-logo2-unfExposure is an important aspect of building an artist's presence. It's part of marketing yourself and also part of engaging the public in your art. I enjoy meeting people and talking to them about photography. Nowadays, everyone is a photographer, so my work can perhaps be useful to those wanting to increase their skills or find different viewpoints.

For the exhibit I decided to gather a selection of images where the subject is water. I've been looking for the opportunity to put this together and now I have it. Throughout my travels to various national parks and gardens, I find myself often observing a body of water from a lookout point or the shore. Where water meets the land always creates an interesting situation. Two opposites meeting. Sometimes a clash, sometimes a harmonious union. I plan on maintaining this body of work and adding to it. Establishing thematic categories for your work is important. More than just keywords (plants, trees, water, etc.), a theme addresses an underlying concept behind an image and serves as a reminder to look deeper at a subject.

Displayed with each image is a small story about the making of the photograph. Sometimes the story is more interesting than the image, together they enforce each other. If you can't make the opening, please drop by to see the exhibit which runs until September 1.

Of This Earth

Of This Earth exhibition at Southlight GalleryHere is my new body of work hanging at Southlight Gallery. This is just one group of images from our trip to Yellowstone in late May, (sorry, still working on the post). In going through all my Yellowstone pictures, I found several groups of images that were candidates for a submission. My past two exhibits have been on trees, and I had plenty of tree images to choose from, but I wanted to try something different. I enjoy showing images of things that are unique and thought provoking, so what could be more interesting that a look at details around a hot spring? (we don't have many of these here in FL).   After selecting the final images, I found that all of them came from two areas, Grand Prismatic Spring in the Midway Geyser Basin, and the Canary Spring/Minerva Terrace in Mammoth Hot Springs. Both areas were quite magical and extraordinary.

 Grand Prismatic Spring

Canary Spring     Minerva Terrace

Here is my artist statement and images for the showing:

There is no place on earth like Yellowstone National park. And here you can find the largest number of geysers, hot springs, fumaroles, and mud volcanoes anywhere. These openings in the ground create other-worldly landscapes and details from a mixture of water, steam, minerals, chemicals, and the attraction of a myriad assortment of bacteria and small organisms. The patterns and textures are living, dynamic structures, changing constantly over time.

For many the beauty of Yellowstone is usually found in its wildlife, flowers, lakes, and landscapes. For me there is greater interest in what is different and unique. My fascination with these thermal features draws me into a primitive world of ages ago, when the earth was cooling, and the basic elements of the earth began to support life. Isn’t it interesting that these areas support only primitive life forms (bacteria, algae, fungi) and are hostile to others? Portraying landscapes and details emphasizing the fundamental flow patterns reveal the beauty in the structure of natural things. We seek order in our observations…nature provides it if we know where to look.

Overflow - Grand Prismatic Spring

Boundary - Grand Prismatic Spring  Mountains & Valleys - Grand Prismatic Spring  Seismic 1  - Grand Prismatic Spring

Foiled - Canary Spring  Slice - Grand Prismatic Spring  Lace - Canary Spring

Friction - Canary Spring  Lace - Minerva Terrace  Seismic 2 - Grand Prismatic Spring

You'll have to drop by the gallery to see the bigger versions. The best comment from the opening was someone who asked if I was in an airplane when I took these...love it! The work should be up for at least 2 months.

Disaster in the Gulf

"How we treat our land, how we build upon it, how we act toward our air and water will in the long run tell what kind of people we really are."  - Laurance S. Rockefeller, 1965 How are you dealing with what is happening in the Gulf? Frustrated, completely disgusted, heartbroken? What will it take for things to change, how bad do things need to get? The news is continuously dismal and downright depressing. Reports of failure, inefficiency and insurmountable losses to people's lives and our environment are reported daily. It's actually hard to get through the day without a sinking feeling about the direction of our country. I think it is important for each of us to get through our veils of complacency and to do something. Not just complain or sulk, but to take action. Join groups on Facebook, write letters and emails, raise money, spread the information. I'm thinking of taking a road trip out to Pensacola so I can see for myself what crude oil looks like on a sandy beach. Sometimes reality doesn't set in until you can see, touch, and smell a situation (sorry the taste part will not be an option). For the majority of Americans, this calamity is off the radar screen and life goes on. It's hard enough to keep food on the table for some. Each individual seems to have their personal Pt Reyes National Seashore - Sunsettipping point for action. I can accept that. If you are reading this, I ask that you examine your own feelings about what is happening in the Gulf and how significant it is as a indicator of what we value as a country.

On July 10, a local gallery in Jacksonville, 323 Modernism,  is holding a silent auction to benefit the Audubon Society. It is a small but important action for people to step forward to say we care. The details can be found here. I made 5 - 11x17 prints last night that I am donating to the cause. Hopefully people will turn out, buy some great art and help a worthy cause. One image that I printed for the first time is shown here. It is a sunset at Point Reyes National Seashore in West Marin, CA. It reminds me of the overpowering beauty of nature and the need for responsible stewardship of our land. To imagine these pristine shorelines covered in crude oil...well that reality is upon us in the Gulf.

Andy Goldsworthy

At he suggestion of Dolf James, I've just finished watching the movie "Rivers and Tides," a documentary on the work of Andy Goldsworthy (and here), artist, scuptor, photographer, and environmentalist. It is a fascinating view of a remarkable man. Goldsworthy was the A. D. White Professor at Large at Cornell University for eight years, which peaked my interest (my Alma mater). His large environmental sculptures are made of completely natural materials and are fashioned by found objects as tools. Photography is used to record the various states of a piece, as it adapts to its surroundings, often floating down a river, washing out to sea, or melting in the sun. The ephemeral quality of the film and Goldsworthy's narrative makes this an extremely effective presentation. I enjoy hearing artists talk about their work and why they are compelled to create, especially if I can understand them. It's hard to believe that there are people who can create at this level. The link is to the 1st of a series of 9 videos snatched from the DVD. A worthwhile 90 minutes if you are into this kind of stuff.

Another great video of Goldsworthy's last lecture at Cornell:

AIA Cover shot

The cover of the Spring 2010 issue of Florida/Caribbean Architect Magazine features a project I did for Powell Design Group in February of 2009 (see my Trapac post). I'm so excited about this, and give credit to the architect (and my good friend) Albert Rodriguez, AIA who created some really innovative designs for a series of buildings at the Trapac container distribution facility. The cover features a detail of the Administration Building, one of 14 uniquely designed structures for managing, inspecting, maintaining, and warehousing containers. This facility can be seen on the northwest end of the Dames Point Bridge. The article inside features some additional images and I can't wait to see it! Congratulations Al and Joanna on being published and thank you for getting me involved in your project. A PDF of the article: Florida Architect, Spring 2010 Article 

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Delinquent blogger

I've been very remiss at updating my blog over the past 2 months. I don't know what it is, sometimes priorities change and you just don't feel like doing the things you used to do. Not that nothing important is going on. I think this started back in March when I had to get some periodontal surgery done. This is what happens when you don't get your teeth cleaned for 15 years. After that ordeal I just didn't feel 100%. Well, I'm back and although my mouth isn't up to 100% yet, it's time to keep things rolling. I've been keeping busy with many photo projects and small jobs, a long trip to Yellowstone, and surviving the heat of the Florida summer. I'll post some past events and some interesting techniques. Life as a photographer is good, thanks for reading along.

Faulkner Residence

Faulkner HouseNestled in the Mandarin woods on Brady Road sits a remarkable house. I remember during construction wondering what would eventually evolve. I tire of the cookie cutter builder's homes covering our neighborhood (in fact I live in one). I knew there was going to be something different about this structure. The home's architect, Jason Faulkner is also a builder, craftsman, and mechanic. A graduate of the University of Florida, he decided that he needed a place to work on his cars (he races a vintage Porsche) so the house and workshop was born out of that necessity. Finding a corner lot with open access allowed him to build his ideal living and play space. Unsatisfied with the workmanship of the initial contractor, he took upon himself to hand build 80% of the house. The house contains standard building materials, all things you can buy at Home Depot, plus a few commercial windows and found objects. Jason's wife Marsha, an interior designer, applied her talents to the inside of the house. The result? Something I find unique and playful, functional and visually stimulating. What I particularly enjoy are the attention to details, use of materials, and the open spaces. Oh yes and the workshop, every guy's dream garage with plenty of space for cars and car stuff. Jason and Marsha have recently launched their own practices. Can't wait to see the types of projects that will emerge from their studios.

 Faulkner House, East elevation  Faulkner House, West elevation

Faulkner House interior 1  Faulkner House interior 2

 

Group shots using composites

Turning Point of Dance Composite Question: How do you get 40 dancers to pose and not blink for a group shot? Answer: You don't.

Go Dorian! Looking good...On Saturday evening Dorian had her dance recital. After weeks of practice, her tap group at the Mina Nelson Turning Point of Dance performed and gave a marvelous show. I was asked to take some photos of the dancers and knowing that the night of the performance would be too hectic, we opted for shooting during the dress rehearsal. The goal was to get group shots after each performance and then to composite them into one big poster of the entire dance company. This was inspired by an article in the May 2010 Professional Photographer magazine titled The Big Picture, where photographer Drake Busath provided instructions to composite large groups from smaller images. Why not try it out? BTW, Professional Photographer is one of the few magazines that I actually subscribe to, always has useful articles which you can get on their website for free.

We set up on the stage in a side area where we had a black background and wood floor. I taped off a small box on the floor for people to stand, and set up the camera on a tripod. I used two umbrellas on either side. As each group finished, we corralled them off to the side and took their photos. There wasn't a lot of precision in the posing, but I tried to make sure everyone stood in the marked area and never changed the zoom on the camera. It was quite a challenge getting everyone positioned as things needed to move along and people were not focused on getting their pictures taken. I also noticed that someone was playing with the overhead lights totally screwing up the ambient light situation. The fact that the lights were colored didn't help. I paid dearly for this when trying to merge backgrounds of different color and intensity.

Mina Nelson directing the cast  Mina Nelson, quiet observation

I ended up compositing 13 different images for the final. Took me about 6 hours of meticulous blending. Is it perfect? No. But it was fun and the result pretty amazing. I added some text and made it into a 12x36 poster, printed at Costco. Just about everyone ordered one. Lessons for next time: 1) Control the ambient lighting, this was the most difficult part to deal with when blending the layers, 2) Use a seamless if possible, especially if you are going to include everyone's feet. I'm looking forward to trying this again on another project soon!

Smoky Mountains Spring Road Trip

 Spring foliage, Cove Hardwood Nature Trail - Great Smoky Mountains NP We just returned from a spring road trip to the Great Smoky Mountains NP, staying 3 nights in Cherokee and 3 in Gatlinburg (Best Western of course!). Traffic on I-95 and I-26 was surprisingly heavy, but Cherokee was still in pre-season mode. We planned to follow many of the hikes featured on the Spring Wildflower Pilgrimage which is a 5 day educational program in its 60th year. Go to the site and download their program for some ideas of places to check out. We arrived one week before the program to beat the crowds, but it seems that Hiway 441 through the park is perpetually busy. There are also many road closings throughout the park including the Cades Cove Loop, Clingman's Dome, and the Roaring Fork loop. Parts of the Blue Ridge Parkway were also closed between the park and Asheville.

 We started out from Cherokee as home base. Day 1 included a morning sunrise at the Oconaluftee Visitor Center. A good "warm up" shoot in that it is virtually 5 minutes from Cherokee. Don't you love it when you arrive at a site and there is no one in the parking lot? We had some fog in the field at the Mountain Farm Museum. There is also a 1.5 mile nature trail that runs along the Oconaluftee river. From here we returned to the hotel for breakfast, then a nap, then west to Bryson City to check out the Deep Creek area. There is a loop trail that takes you to 3 waterfalls. I was expecting the area to be empty but there were quite a few people there enjoying the sunny day. I was looking for clouds and overcast but bright sun and blue skies followed us for 3 days. We stopped in Bryson City for ice cream and visited with a gallery owner, Charles Heath. It's always nice to chat with the local artists. We ended the day at Mingo Falls, which is not in the park but easily accessible off of Big Cove Road near the park entrance. We saw one family there and that was it. This is probably the most impressive falls in the whole region.

   

Log bridge, looks easier than it wasDay 2 included our big adventure to Cataloochee, located on the east end of the park. We were up at 4:30 AM for the drive. The last 10 miles is on a one lane gravel road in the mountains. It was still pretty dark so we really didn't know what to expect. Dorian was nervous. But we made it and were greeted by a herd of elk on the main road, then a group of wild turkeys. There are several old buildings as this was a main settlement area similar to Cades Cove. We also hiked the first mile of the Caldwell Fork Trail, starting with a log bridge over the river. Now this "bridge" was literally a log, flattened on one side, spanning about 30 ft over a river. There was a rail on one side to hold onto (for your life!). With tripod and camera gear I didn't look down and just kept walking. As you reached the other side the log was getting narrower and bouncing! Ok, so I'm a wimp. We ended the day back in the park at the Mingus Mill and then to the visitor center parking lot for some shots of the redbuds and dogwood. It was dark when we finished.

  

  

BEAR!Day 3 we packed up and headed to Gatlinburg. On the way we pulled off for a few shots of the Oconaluftee River from 441. The sun was still behind the mountains so the valley stays in shadow until about 9:00. We stopped at the Newfound Gap viewing area and hiked a bit on the Appalachian Trail. Only 1972 miles to Katahdin, Maine from here! The afternoon included another hike on the Chestnut Top Trail where 73 meets Little River Road to look for wildflowers. There were many people there and all very friendly, pointing out their finds. We then proceeded down to Cades Cove...and yes the loop was really closed for repaving. On the way back we stopped at another pullout to check out the river. There are numerous points to stop and we took advantage of them. I can't understand why some people need to tailgate you on a national park road, they must be in a hurry to go somewhere! Traffic is bad in the Smokys so you just have to get off the road and walk a bit. We rolled into Gatlinburg and headed towards Cherokee Orchard Road which is part of a loop that includes the Roaring Fork Motor Nature Trail. Roaring Fork was closed for repairs so we went as far as we could and rewarded with a bear sighting...wow! My camera was in the back of the car so I made a small movie with my G10 and here is my fuzzy snap. Onwards to the Best Western.

 

Day 4 started at the Cove Hardwood Nature Trail located at the Chimney Tops picnic area. We arrived at around 7:15 AM and there were a bunch of photographers there. Got some cold stares as we walked by them, guess they forgot how to say "good morning." I think some photographers are territorial and they feel like someone is infringing on their space. This compared to the wildflower hikers who were eager to share their discoveries. There was plenty of space so we just moved on. The flowers on this trail are great and the scenery and soft light very nice. It's a 1 mile loop through an old growth forest. The sun didn't poke through until around 9:00 and even then there were plenty of shady areas to keep working. This trail is highly recommended, in addition the West Prong of the Little Pigeon River also flows through the area. Lots of stuff to shoot. After our shoot we returned to Gatlinburg for a late breakfast and then a nap, then on to Laurel Falls. Some clouds began to roll in and I was happy. The trail to Laurel Falls is 1.3 miles on a paved road uphill. Definitely worth the hike. Getting to the base of the falls was a bit treacherous. The hike back was great downhill. On the drive back on Little River Road we stopped to photograph a field of blue phlox until dark.

   

Day 5 saw the results of my rain dance for the past week. The good thing about a rainy morning is that there is no sunrise, so we grabbed breakfast before we made our way to the Greenbrier entrance to the Porters Creek trailhead. From there we hiked in about a mile before it really started to rain hard. I love shooting in the drizzle but when the rain comes it gets tough. We saw a few other photographers on the trail looking for wildflowers. From here we went back into town and drove around the arts and crafts loop in Gatlinburg and it was back to the hotel for a nap. As the rain began to let up we headed back into the park on Newfound Gap Road and found that the mist and fog were settling in. The light quickly disappeared and we headed back for a nice Italian dinner.

 

We headed out the door on Day 6 and probably should have gotten an earlier start. There was nice morning light and some remnants of a nice sunrise. Back through the park one last time on Newfound Gap road, stopping at a few overlooks. By 9:00 what was left of the fog had burned off. At Newfound Gap it was quite chilly and very windy. I waited for a composition with the clouds but the light was harsh and the landscape burned out. It was on to Cherokee to fill the tank and grab some lunch for the road. From here we jumped onto the Blue Ridge Parkway south to 74, then to Waynesville where we took 276 through Pisgah National Forest then to 64 and eventually I-26 and I-95 to home. It's always a little sad to leave the mountains. The Interstate has a way of bringing you back to harsh reality.

   

Click here for my Smoky Mountains Spring gallery (everything!).

Emily's Communion

It's always a pleasure to photograph your friends and their families. Knowing someone always makes it easier to put everyone at ease (including myself), and I enjoy meeting other family members and seeing the dynamics of the members. Getting a group together for a family photo is always an event. While most people are indifferent or uncomfortable in these situations, there is always someone who instinctively knows what to do in front of the camera. I don't know if it's just intuition or an internal confidence in themselves, but connecting with these people is always a pleasure. Emily's Holy Communion day was a special event and I could sense the excitement and pride she had in achieving this milestone. It was fun to be part of her special day. She obviously, conencted witht he camera.

Emily 1   Emily 2   Emily 3